From Molecule 01 to Mark Fisher, Bee Beardsworth investigates our desire to bottle corporeal closeness and a yearning for a future that never materialised.
As our screen time climbs, so do the stifling standards to which we hold ourselves. Is it any wonder, then, that cosmetic interventions are more accessible and popular than ever?
HALOSCOPE (hey-low-scope), AKA the Digital Fashion Bible®,
is an online and biannual print editorial that interrogates fashion as an art, business, and cultural power, built by the next generation of fashion workers.
The dopamine-driven aesthetics of the mid-2010s are back — and with them, a renewed taste for play. But, as aqua blue, body glitter, and hair feathers roll back onto the collective Pinterest board, can borrowing the era’s aesthetics revive the optimism that first created them?
From Molecule 01 to Mark Fisher, Bee Beardsworth investigates our desire to bottle corporeal closeness and a yearning for a future that never materialised.
From Molecule 01 to Mark Fisher, Bee Beardsworth investigates our desire to bottle corporeal closeness and a yearning for a future that never materialised.
As our screen time climbs, so do the stifling standards to which we hold ourselves. Is it any wonder, then, that cosmetic interventions are more accessible and popular than ever?
